How is the technologically mediated behavior driven by the low Essay

How is the technologically mediated behavior driven by the low fidelity public soundscape - Essay Example It is evident from the study that the idea of a public soundscape for instance, has only turn out to be important over the past few centuries, as sealed and enfolded buildings turned out to be more common. Previous to completely enfolded buildings, sound flowed mainly unrestrained from the private ball to the public, and vice versa which destined that, two persons in close proximity to each other experienced an analogous soundscape, despite of whether they occurred to be in the private or public realm. â€Å"R. Murray Schafer, one of the early pioneers of the study of soundscapes indicates that the rise of life spent primarily indoors gave way to two enduring phenomenon: the high art of music, and noise pollution† (Neudorf 3). The events of public soundscapes keep on developing in the current period of mobile phones and moveable music instruments. Nowadays it is possible, certainly general, to build ‘semi- private’ soundscapes (by way of make use of movable device of music and mobile phones) in public spaces, which highly block soundscapes in public. The idea of soundscape which represents a spatial implication no longer appears to fit in this circumstance; ‘sound experience’ may be a more suitable word given to the rising disconnect among site and audio perception. Second difference can be made among soundscapes in densely inhabited (urban) places and soundscapes in places that are less impacted by the activity of the persons. The density of the sound normally reflects the population compactness of the human being. However, there are numerous exemptions, where in high compactness places, sounds must contend  with each other with the intention to be heard. And also at the same time, sounds originate by human beings and their particular activities normally dominate urban soundscapes, as natural sounds hardly ever adjust to a louder soundscapes by raising their volume. Soundscapes, which are not conquered by activity of the huma n being, may have more moderate and reasonable, but they are distant (far) from unfilled. Even urban soundscapes which may not provide wealthy and rich environmental habitats frequently consist of impressive sounds.  Research method used to conduct the study is the primary research method. Primary research method used to acquire most authentic data directly from respondent. It is include survey method, interview method and Questionnaire Survey.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   There is a certain kind of risk in adopting the word soundscape which has a clear etymological debt to its progenitor landscape that a variety of suggestions from the visual world will also be adopted into the audio realm. Schafer builds the perceptive examination that unlike landscapes; soundscapes are concerning various activities and actions, not artifacts. In view of the fact that soundscapes are based on these activities, they are intrinsically unique at any of the specified point in time and space. â€Å"Scha fer suggests that there are two ways to improve the soundscape. The first is to increase sonological competence through an education program that attempts to imbue new generations with an appreciation of environmental sound. This he believes will foster a new approach to design - the second way - that will incorporate an appreciation of sound and thus reduce the wasted energy that noise represents† (Wrightson & Gil par. 24). Differentiation between Private and Public Soundscapes:   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   A soundscape is a kind of sound or amalgamation of sounds that shapes or occurs from an immersive

Movement of substances across the cell membrane Assignment

Movement of substances across the cell membrane - Assignment Example In the hypertonic and hypotonic solutions, more water molecules repeatedly strike the cell membrane from the side with a high solute concentration, meaning that more water molecules will be forced to pass through the pores of the semi-permeable membrane (Sperelakis, 2001). As a result of this, the water molecules move from the side with high water concentration to the side with a low water concentration until the two sides are equally concentrated. The final solution is called an isotonic solution. Looking at the cell membrane itself, it can be seen that its composition allows for the selective movement of only certain substances. The osmotic pressure in the different cells ensures that the process of osmosis is continued until all the cells in the organism are of equal concentrations. As already mentioned, the semi permeability of the cell membrane allows only for the passage of certain particles, and in the case of the organism, it only allows for the passage of water molecules. Th is means that the process of osmosis is used to equalize the concentration of solutions in the body cells and their environment.   b.  Phagocytosis One of the other process by which cell movement is achieved is through phagocytosis, which is the process by which cells engulf foreign particles and ingest them by virtue of their power of amoeboid movement (Sperelakis, 2001). The movement due to phagocytosis is two way, from the point at which the cell moves towards the invading organism to the point when the organism is engulfed into the cell. In most organisms, this process was used for nutrition, but higher organisms have developed it to be used for other functions like fighting disease in the body. In the process, the cell is attracted towards the microbe that needs to be ingested through a process of chemotaxia, which means that the microbe is identified through a chemical signature that attracts the cell. This process is called activation of

An Introduction to the financial tools in measuring Liquidity and Profitability

An Introduction to the financial tools in measuring Liquidity and Profitability Tools that are important in monitoring business are liquidity and profitability. Liquidity refers to solvency meaning how quickly assets can be converted to cash while the income statement measures the financial performance of an entity through measuring profitability. The main financial documents of a company measures profitability and liquidity, the statement of comprehensive income measures profitability whilst liquidity is measured by the statement of financial position. Liquidity is measured by comparing the current assets and current liabilities of an entity. Current assets are resources of a business maturing within a year whilst current liabilities are the short term obligations of a business maturing within a year. Therefore, when measuring liquidity we measure the ability of an entity to cover its short term obligations with its current resources which includes inventory, Debtors, cash in the bank and petty cash amongst other resources. If a firm can cover its current obligations with its current resources twice it is considered liquid meaning it can cover its current obligations with few difficulties and any ratio less than that is considered illiquid meaning the entity will face difficulties in settling its current obligations which is not a good sign for any entity. Profitability is measured by matching revenue for a period with expenses for that period. Revenue is the proceeds an entity receives from selling its products from its core business activities. Whilst expenses are those costs incurred during a period in the process of generating sales revenue. Examples of expenses include electricity, rent, depreciation, salaries and wages e.t.c. The excess of revenues over expenses means the business is profitable whilst the vice versa means its making a loss. Profitability is measured in the income statement, and in addition to cash items it also considers non cash items such as depreciation. As a result profitability is not a true reflection of the cash generated by the business given the fact that it is drawn on an accrual basis. Yearling Ltd The company is faced with disagreements between two departments which are the accounting and finance staff. The accounting staff believes that if the company is profitable it should be able to pay for its obligations whilst the finance staff disagrees. The elaboration in the above paragraphs has explained profitability and liquidity and differences can be identified from the explanations. That is profitability means the ability of the firm to cover its operational expenses with its operational revenue and this includes cash and non cash items and hence can not measure the ability of a firm to pay its obligations. On the other hand liquidity measures the ability of a firm to cover its obligations with its resources and hence a perfect measure of the ability of the firm in covering its financial obligations. Hence, a profitable firm can be illiquid i.e. can face liquidity challenges in meeting its obligations. Conclusion The financial managers staff is right in advocating for party budget cut in order to reduce their financial obligations given the challenge they are faced with. On the other hand the accounting staff are wrong in thinking that a profitable firm implies liquidity as these are two different things as was discussed in the previous paragraphs. Question 2 Question 3 3.1.1. Debt Ratio A  debt ratio compares a companys total  debt to its total assets. Debt consists of the amounts borrowed or owing to creditors. The ratio is used to gain a general idea as to the amount of leverage or debt being used by a company. A low percentage means that the company is less dependent on debt or leverage i.e. money borrowed from and/or owed to others. The lower the proportion, the less leverage a company is using and the stronger its equity position. This is so because the lower the chances that the company will be liquidated to meet the debt obligations. In general, the higher the ratio, the more risk that company is considered to have taken on. Debt ratio is calculated by the following formula: For the companies under discussion their debt ratios are as follows: Pelican Paper Ltd Timberland Forest Ltd 1000000/10000000 5000000/10000000 10% 50% Timberland Forest Ltd has got a high ratio of 50% compared to the ratio of Pelican Paper Ltd of 10%. This means that Timberland has a high financial risk as it is financed by debt more than Pelican. The more debt compared to equity a company has, which is signalled by a high debt ratio, the more leveraged it is and the riskier it is considered to be. 3.1.2. Times Interest earned Ratio A metric used to measure a companys ability to meet its debt obligations. It is calculated by taking a companys earnings before interest and taxes (EBIT) and dividing it by the total interest payable on bonds and other contractual debt. It is usually quoted as a ratio and indicates how many times a company can cover its interest charges on a pre-tax basis. Failing to meet these obligations could force a company into bankruptcy. The ratio is calculated as follows: Times Interest Earned=Earnings before interest and taxes/interest For the two companies their respective ratios are as follows: Pelican Paper Ltd Timberland Forest Ltd 6250000/100000 6250000/500000 62.5 times 12.5times Pelican Paper Ltd has a high times interest earned ratio of 62.5times compared to Timberlands of 12.5times. This means Pelican has a high ability to cover its debts compared to Timberland as reflected by the number of times they can cover their interest obligations with available earnings. Conclusion Timberland has a high financial risk reflected by a high debt ratio and a lower time interest earned ratio. 3.2 3.2.1. Operating Profit margin Operating profit margin is the proportion of operating profit to Sales revenue for that period. Operating profit margin indicates how effective a company is at controlling the costs and expenses associated with their normal business operations. A high ratio means a high profitability whilst a lower means less profitable. The ratio is calculated as follows: Operating profit margin = operating profit/sales The respective ratios for the two companies are as follows: Pelican Paper Ltd Timberland Forest Ltd 6250000/25000000 6250000/25000000 25% 25% The companies has the same ratios and this implies that they are equally good in managing their costs and expenses hence profitability based on this ratio. 3.2.2. Net Profit Margin The ratio measures the percentage of profit available to ordinary shareholders to Sales. This number is an indication of how effective a company is at cost control. The higher the net profit margin is, the more effective the company is at converting revenue into actual profit. The net profit margins are a good way to compare companies in order to gauge which ONES are relatively more profitable. The ratio is calculated by the following formula: Net profit margin = Earnings available for ordinary share holders/sales The respective ratios of the two companies are as follows: Pelican Paper Ltd Timberland Forest Ltd 3690000/25000000 3450000/25000000 14.76% 13.80% Pelican has a high ratio compared to Timberland which means a high profitability based on this ratio. Therefore Pelican is profitable than Timberland. 3.2.3. Return on Total Assets Measures profit in proportion to total assets, in other words the effectiveness of management utilising the available assets in generating profits. A high ratio means greatest effectiveness and profitability. The ratio is calculated as follows: Return on total assets = Earnings available for ordinary shareholders/Total assets For the two companies the respective ratios are as follows: Pelican Paper Ltd Timberland Forest Ltd 3690000/10000000 3450000/10000000 36.90% 34.50% Pelican has a high ratio compared to Timberlands hence high profitability. 3.2.4. Return on common equity Measures the return earned on the ordinary shareholders investment in the firm. The amount of net income  returned  as a percentage  of shareholders equity.  Return on equity  measures a corporations profitability  by revealing how much  profit a company generates  with the money shareholders have invested.  Ã‚   ROE is expressed as a percentage and calculated as: Return on Equity = Net Income/Shareholders Equity Net income is for the full fiscal year (before dividends paid to common stock holders but after dividends to preferred stock.) Shareholders equity does not include preferred shares. The two companies ratios are as follows: Pelican Paper Ltd Timberland Forest Ltd 3690000/9000000 3450000/5000000 41% 69% Pelican has a lower return on equity compared to Timberland and based on this ratio Timberland is more profitable compared to Pelican. 3.3. Timberland has become more profitable because of the larger debt. Debt has a fixed interest payment and its tax allowed meaning it is tax deductable and as a result a high debt means a high interest payment and lower tax hence increased profits. 3.4. The risks undertaken by Timberland investors are basically financial risks which include the liquidity risk, interest rate risk and credit risk. Question 4 Item Change(Rands) inflow(I)/outflow(o)/neither(N) Cash +100 I Trade and other payables -1000 O Short term borrowing +500 I Long-term borrowing -2000 O Inventory +200 O Non-current assets +400 O Trade receivables -700 I Net profit +600 Depreciation +100 N Repurchase of shares +600 O Cash dividends +800 I Sale of shares +1000 I Question 5 5.1. Year Cashflow PVIF(5%) PV 1 800 0.95 761.90 2 900 0.91 816.33 3 1000 0.86 863.84 4 1500 0.82 1234.05 5 2000 0.78 1567.05 Present Value of mixed cash flows 5243.17 5.2. The amount that can be paid at most is 5  243.17 5.3. Present Value of the mixed cash flows at 7% is as follows: Year Cashflow PVIF(5%) PV 1 800 0.93 747.66 2 900 0.87 786.09 3 1000 0.82 816.30 4 1500 0.76 1144.34 5 2000 0.71 1425.97 Present Value of mixed cash flows 4920.37 An opportunity cost of 7% implies that the investor will be prepared to pay less now and earn the same return as the one who pays more at 5% return. Question 6 6.1. Risk Averse Describes of an investor who, when faced with two investments with same or a similar expected return and different risks, will prefer the one with the lower risk. Given the trade off between risk and return its means risk averse investors will always lose on a potential of earning higher returns as investments with lower risks tend to have lower returns. 6.2. Risk indifferent This describes investors who overlook purposely risk when deciding between investments. They are also called risk neutral investors and they are mainly concerned with an investment expected return. 6.3. Risk seeking Describes investors who are willing to take additional risks for investments that have relatively low expected return. This contrasts with a typical investor mentality risk aversion. They tend to take higher risks in an effort to earn higher returns. They are also termed risk lovers. 6.4. Financial managers are best described as risk averse as they always seek to minimise risk when they make financial decisions. Question 7 7.1. Standard deviation measures the deviation of the returns from the expected return whilst range measures the differences between the highest possible return and the lowest return of a project. The higher the standard deviation the higher the risk whilst the same can be said about range, therefore project A is less risky as it has the lowest standard deviation and range compared to other projects. 7.2. Project A has a lower standard deviation 7.3 Standard deviation measures extend at which the returns are dispersed from the expected return of an asset. But it does not measure proportionately, so given different returns standard deviation will not be proper to use it as a measure of risk for purpose of comparison. 7.4 Coefficient of variation = Standard deviation/Expected Return Project Coefficient of variation A 2.9%/12% 0.24 B 3.2%/12.5% 0.26 C 3.5%/13% 0.27 D 3%/12.8% 0.23 7.5 Coefficient of variation is a best measure of risk for purposes of comparison as it measures proportional deviation from the mean. Given that Grassland owners are risk averse they will choose a project with the lowest coefficient of variation which is project D based on the table above. Question 8 8.1 Comparison of Ordinary shareholders and other providers of long term capital Ordinary Shareholders Other Suppliers of long term capital Dividends to be paid are at the discretion of the companies board of directors Receives a fixed interest whether the company made profit or not. Dividend payments are taxed Interest payments are tax deductible Permanent form of financing They mature Have secondary claims to assets and income of the company. Have primary claims to income and assets of a company. Owners of the firm Creditors of the firm Have voting rights Dont have voting rights. 8.2 Rights offering are when ordinary shareholders are offered new shares at a discounted price first before they become available to the public. Therefore, this offering protects a firms shareholders from dilution of their holding in such a way that they are given preference to maintain their holding first by being offered proportional new shares to their holding. In that manner protected from a possible dilution if they were to be taken by new shareholders. 8.3. Authorised Shares Authorised shares quantify the maximum total shares a company can be allowed to issue. In other words it is the number of shares a company is authorised to issue highlighted in its articles and memorandum of association. It is from this that the company can decide on the number of shares that it can issue and can only issue at most to this amount of authorised shares otherwise it can issue less. Issued shares Its the number of shares that has been issued and paid for and it represents part of the amount equity reflected in the statement of financial position. These also represents the amount of he authorised shares held by the public. Issued shares represents the sum of issued and treasury shares. Treasury shares A company can decide to purchase part of the issued shares back for some reasons. If it does the shares will be held by the company and they do not participate in any thing i.e. they do not participate in voting nor receive dividends. These types of shares are the ones termed treasury shares 8.4. Preference shareholders tend to have more favourable basic rights in terms of the distribution of earnings and assets compared to ordinary shareholders. They often have features of debt instruments which makes them superior in terms of claims compared to ordinary shareholders. The claims that preference shares will be discussed in the paragraphs that follow; Preference shares have a fixed claim on the firms income that takes precedence over the claim of ordinary shareholders. This makes them less risk compared to ordinary shareholders as they have guaranteed income. Given that they are participative preference shares they will also have preference over ordinary shareholders in the distribution of earnings. Furthermore, if they do not receives the dividend earnings it implies the ordinary shareholders they have not as well. This then makes and shows that the ordinary shareholders are the true risk takers. In the event of liquidation, preference shares do have a preference over ordinary shareholders in claims over assets of the firm. In other words they are paid their initial capital first before ordinary shareholders could be paid. 8.5. The cumulative future of preference shares refers to the guaranteed payment of dividends to the shares irregardless of the performance of the company. In the event of a company having less financial resources to pay for the dividend, it will be deferred and paid as and when the company realizes the resources to pay. In other words the dividends are accumulated and paid when the company can. For example, if a company is liable to pay a 10  000 dividend annually for preference shares and it happens that one financial period the lack financial resources to pay the dividend they defer it to the following financial period. As a result, in the following financial period they will have to pay a dividend of 20  000 which covers the 10  000 for the last period and the 10  000 for the current period. Question 9 Valuation of shares with no dividend growth, the formula is as follows. 9.1 Share price = Dividend per share/cost of capital 2.4/0.12 R 20.00 9.2 2.4/0.2 R 12.00 9.3 The higher the risk the higher the value, a lower interest rate results in a higher value. This is so because the lower the interest rate the higher the risk of default and that risk should be compensated by an increased capital value. The reverse is also true for a higher interest rate as it has resulted in a lower capital value.

Marilyn Monroe :: Biography

Marilyn Monroe was recognized as the â€Å"Blonde Bombshell.†(4) She was well known throughout the world in the 1940’s and 1950’s. Marilyn’s childhood was rough but she rose above it by becoming an actress and model. Norma Jean Mortenson, more famously known as Marilyn Monroe was born on June 1st, 1926 at 9:00a.m in Los Angeles, California. (1, 4) She was born into foster care therefore she never knew her mother or her father. (2) Marilyn’s mom was Gladys Monroe Baker Mortenson. (6) When Marilyn was born her mom was sent to an institution for mental health on behalf of her being diagnosed with paranoia schizophrenia. (6) Marilyn says â€Å"I knew I belonged to the public and to the world, not because I was talented or even beautiful, but because had never belonged to anything or anyone else.†(8) This quote reflects on how she was treated and also how she felt when she was in foster care. When Marilyn was a child she felt unwanted, she would try to replace her mother and father through marriages and attaching herself to her foster families. (9) When Marilyn was young she was molested by her mother’s new husband. (10) This event caused her a lot of emotional and physical scar ring. Later on in Marilyn’s life, she decided to change her name to Norma Jean Baker. (1) Marilyn dropped out of high school her sophomore year. (6) Girls in her time rarely attended college but Marilyn studied at UCLA. (2) Marilyn was most widely known for her acting and modeling career. She received her nickname, Marilyn Monroe, by accident when she didn’t succeed as a girl-next-door at 20th Century-Fox. (30) Marilyn appeared on her first magazine cover in 1944. (5) Her acting career didn’t take off until the 1950’s. (2) Her first movie was called â€Å"The Asphalt Jungle†; she acted in many more movies after that. (2, 6) She got annoyed playing the role of the dumb blonde so she moved to New York City and studied acting with Lee Strasberg. (2) Following this, she signed a seven year contract with 20th Century-Fox. (6) Marilyn’s fame was greater than any entertainer in her time, as a result of this she attracted enormous amounts of media and paparazzi. (6) Marilyn got caught in several sticky situations. She was very close to John F. Kennedy and the Kennedy family as a whole. (5) It was rumored that she was having an affair with John F.

Come one and all for England

Come one and all for England, rally to the flag†¦ From North and South and East and West Come one and all for England! † (Cloud 9) Act one of Cloud Nine by Caryl Churchill is set in a British African colony in the nineteenth century. The first scene takes place on the verandah of a house. The scene also opens with an opening song introducing all the characters in the show. Before the show even starts, the actors come out, not fully dressed, and warm up. I think that this was a director's choice to show the audience which characters are female and which ones are male.Evelyn Gaynor was one of the actresses who came out before the show in a wig cap to show she was playing a boy in the first act. Evelyn does an excellent Job with transitioning from a male in act one to playing a female in the second act. In the opening scene you see Evelyn play the role of young Edward. You see Edward tending after Victoria's doll, which annoys his father because he thinks this is unmanly. You also question Edwards sexuality during this scene because of Evelyn's character choices with the doll. Evelyn embraces the doll like it is her prized possession as well as talking to it.All of these interactions with this prop gives the audience a sense that Edward has some feminine qualities. You also sense the feminine qualities in Edward through his interactions with his uncle Harry. You see the the love Edward has for his uncle in the opening scene and throughout the rest of the first act. At first it looks as if Edward is just longing for that loving father figure that Clive doesn't provide to his son, but as act one proceeds, you See Evelyn make very strong character choices to show that it's more than that.You see Evelyn draw nearer and nearer to Harry each time they are together in a scene. You also see the innocence shine though Evelyn when she asks her uncle to â€Å"do that thing† again that they did during Harrys last visit. Evelyn beams with happiness when she a sks this question which make the performance believable. I honestly believe that Edward doesn't know the impact of what's going on because Evelyn plays The innocence of Edwards character so well. I feel that Evelyn's overall intention of playing the part of Edward was to show the Journey of Edwards true truggle.You can see through Evelyn's performance that Edward constantly battles with trying to impress his father and also be true to himself. Evelyn Does an excellent job in playing the true, young, innocent age of the young Edward. Because Evelyn's choices to talk as a would it makes the character more believable. By this, I mean the way she is either whining, pouting, or Just talking as a young child would. This helped me to actually picture a young child go though these true struggles with his father as well as his sexuality.At the beginning of act two you can see that Evelyn has made the transformation from Edward, a male, to Betty, a female. These two characters, in my opinion, are polar opposites, and for Evelyn to master both parts is nothing short than amazing. Unlike act one, Evelyn now plays Betty, a now more liberated Betty (unlike Betty in act 1). Evelyn plays this role with the utmost class†¦.. at first. She holds her ground and takes her beats to collect herself during he first chunk of lines but as you see Betty unwind and tell her children about the divorce, you see an underlying anic in Evelyn's voice.This shows that Betty still is quite afraid to hold her own. I overall intentions in act two were to be able to branch out by nerselt and realize she doesn't need a man to support her in order for her to survive. with this said, Evelyn takes us on a Journey of realization by showing each side of the new Betty. You see the stronger, more confident Betty and also the more venerable Betty. You can see that Evelyn chose to show her most venerable point when she was trying to leach onto the lats chance in having a relationship with her own daught er.

Night World : Secret Vampire Chapter 8

When the Jetta turned into the parking lot of a7-Eleven, James smiled. There was a nice isolatedarea behind the store, and it was getting dark. He drove his own car around back, then got out to watch the store entrance. When Phil came outwith a bag, he sprang on him from behind. Phil yelled and fought, dropping the bag. It didn'tmatter. The sun had gone down and James's powerwas at full strength. He dragged Phil to the back of the store and put him facing the wall beside a Dumpster. The classicpolice frisking position. â€Å"I'm going to let go now,† he said. â€Å"Don't try torun away. That would be a mistake.† Phil went tense and motionless at the sound of hisvoice. â€Å"I don'twantto run away. I want to smash your face in, Rasmussen.† â€Å"Go ahead and try.† James was going to add,Makemy night, but he reconsidered. He let go of Phil, who turned around and regarded him with utter loathing. â€Å"What's the matter? Run out of girls to jump?† hesaid, breathing hard. James gritted his teeth. Trading insults wasn't going to do any good, but he could already tell it was going to be hard to keep his temper. Phil had that effect on him. â€Å"I didn't bring you out here to fight.I brought you to ask you something. Do you care about Poppy?† Phil said, â€Å"I'll take stupid questions for five hundred, Alex,† and loosened his shoulder as if gettingready for a punch. â€Å"Because if you do, you'll get her to talk to me.You were the one who convinced her not to see me,and now you've got to convince her that shehastosee me.† Phil looked around the parking lot, as if calling for somebody to witness this insanity. James spoke slowly and dearly, enunciating eachword. â€Å"There is something I can do to help her.† â€Å"Because you're Don Juan, right? You're gonna heal her with your love.† The words were flippant,but Phil's voice was shaky with sheer hatred. Not just hatred for James, but for a universe that would givePoppy cancer. â€Å"No. You've got it completely wrong. Look, youthink I was making out with her, or trifling with her affections or whatever. That's not what was going onat all. I let you think that because I was tired ofgetting the third degree from you-and because Ididn't want you to know what we weredoing.† â€Å"Sure, sure,† Phil said in a voice filled with equal measures of sarcasm and contempt. â€Å"So whatwereyou doing? Drugs?† James had learned something from his first encounter with Poppy in the hospital. Show and tellshould be done in that order. This time he didn't sayanything; he just grabbed Phil by the hair and jerked his head back. There was only a single light behind the store, butit was enough togive Phil a good view of the baredfangs looming over him. And it was more thanenough for James, with his night vision, to see Phillip's green eyesdilate as he stared. Phillip yelled, then went limp. Not with fear, James knew. He wasn't a coward.With the shock of disbelief turning to belief. Phillip swore. â€Å"You'rea †¦Ã¢â‚¬  â€Å"Right.† James let him go. Phil almost lost his balance. He grabbed at theDumpster for support. â€Å"I don't believe it.† â€Å"Yes, you do,† James said. He hadn't retracted hisfangs, and he knew that hiseyes were shining silver.Philhadto believe it with James standing right infront of him. Phil apparently had the same idea. He was staringat James as if he wanted to look away, but couldn't.The color had drained out of his face, and he keptswallowing as if he were going to be sick. â€Å"God,† he said finally. â€Å"I knew there was something wrong with you. Weird wrong. I could neverfigure out why you gave me the creeps. So this is it.† I disgust him, James realized. It's not just hatred anymore. He thinks I'm less than human. It didn't augur well for the rest of James's plan. â€Å"Now do you understand how I can help Poppy?† Phil shook his head slowly. He was leaning againstthe wall, one hand still on the Dumpster. James felt impatience rise in his chest. â€Å"Poppy hasa disease. Vampires don't get diseases. Do you needa road map?† Phillip's expression said he did. â€Å"If,†James said through his teeth, â€Å"I exchangeenough blood with Poppy to turn her into a vampire,she won't have cancer anymore. Every cell in herbody will change and she'll end up a perfect specimen: flawless, disease-free. She'll have powers thathumans don't even dream of. And, incidentally,she'll be immortal.† There was a long, long silence as James watchedthis sink in with Phillip. Phil's thoughts were toojumbled and kaleidoscopic for James to make anything of them, but Phil's eyes got wider and his facemore ashen. At last Phil said, â€Å"You can't do that to her.† It was thewayhe said it. Not as if he were protesting an idea because it was too radical, too new.Not the knee-jerk overreaction that Poppy had had. He said it with absolute conviction and utmost horror. As if James were threatening to steal Poppy'ssoul. â€Å"It's the only way to save herlife,†James said. Phil shook his head slowly again, eyes huge andtrancelike. â€Å"No. No. She wouldn't want it. Not atthat cost.† â€Å"What cost?† James was more than impatientnow, he was defensive and exasperated. If he'd realized that this was going to turn into a philosophical debate, he would have picked somewhere less public.As it was, he had to keep all his senses on the alertfor possible intruders. Phil let go of the Dumpster and stood on his owntwo feet. There was fear mixed with the horror in his eyes, but he faced James squarely. â€Å"It's just-there are some things that humansthink are more important than just staying alive,† hesaid. â€Å"You'll find that out.† I don't believe this, James thought. He sounds likea junior space captain talking to the alien invadersin a B movie.You won'tfind Earth peoplequitethe easymark you imagine. Aloud, he said, â€Å"Are you nuts? Look, Phil, I wasborn in San Francisco. I'm not some bug-eyed monster from Alpha Centauri. I eat Wheaties forbreakfast.† â€Å"And what do you eat for a midnight snack?† Phil asked, his green eyes somber and almost childlike. â€Å"Or are the fangs just for decoration?† Walked right into that one, James's brain told him.He looked away. â€Å"Okay. Touch?. There are somedifferences. I never said I was a human. But I'm notsome kind of-â€Å" â€Å"If you're not a monster, then I don't knowwhat is.† Don't kill him, James counseled himself frantically.You have toconvincehim. â€Å"Phil, we're not like what you see at the movies. We're not all-powerful. We can't dematerialize through walls or travel through time, and we don't need to kill to feed. We're not evil, at least not all of us. We're not damned.† â€Å"You're unnatural,† Phillip said softly, and James could feel that he meant it from his heart. â€Å"You'rewrong. Youshouldn't exist.† â€Å"Because we're higher up on the food chain thanyou?† â€Å"Because people weren't meant to †¦feed †¦ on other people.† James didn't say that his people didn't think ofPhillip's people as people. He said, â€Å"We only do whatwe have to do to survive. And Poppy's already agreed.† Phillip froze. â€Å"No. She wouldn't want to becomelike you.† â€Å"She wants to stay a!ive—or at least, she did, before she got mad at me. Now she's just irrationalbecause she hasn't got enough of my blood in her tofinish changing her. Thanks to you.† He paused, then said deliberately, â€Å"Have you ever seen a three-weekold corpse, Phil? Because that'swhat she's going to become if I don't get to her.† Phil's face twisted. He whirled around and slammed a fist into the metal side of the Dumpster.†Don't you think I know that?I've been living withthat since Monday night.† James stood still, heart pounding. Feeling the anguish Phil was giving off and the pain of Phil's injured hand. It was several seconds before he was ableto saycalmly,†And you think that's better than whatI can give her?† â€Å"It's lousy. It stinks. But, yes, it's better than turning into something that hunts people. Thatusespeo ple. That's why all the girlfriends, isn't it?† Once again, James couldn't answer right away.Phil's problem, he was realizing, was that Phil wasfar too smart for his own good. He thought too much.†Yeah. That's why all the girlfriends,† he said at last,tiredly. Trying not to see this from Phil's point of view. â€Å"Just tell me one thing, Rasmussen.†Phillip straightened and looked him dead in the eye. â€Å"Didyou†-he stopped and swallowed-â€Å"feed on Poppybefore she got sick?† â€Å"No.† Phil let out his breath. â€Å"That's good. Because if you had,I'd have killed you.† James believed him. He was much stronger than Phil, much faster, and he'd never been afraid of ahuman before. But just at that moment he had nodoubt that Phil would somehow have found a way to do it. â€Å"Look, there's something you don't understand,†he said. â€Å"Poppy did want this, and it's something we've already started. She's only just beginning tochange; if she dies now, she won't become a vampire.But she might not die all thee way, either. She couldend up a walking corpse. A zombie, you know?Mindless. Body rotting, but immortal.† Phil's mouth quivered with revulsion. â€Å"You're justsaying that to scare me.† James looked away. â€Å"I've seen it happen.† â€Å"I don't believe you.† â€Å"I've seen it firsthand!†Dimly James realized hewas yelling and that he'd grabbed Phil by the shirtfront. He was out of control-and he didn't care.†I've seen it happen to somebodyIcared about, allright?† And then, because Phil was still shaking his head:†I was only four years old and I had a nanny. Allthe rich kids in San Francisco have nannies. Shewas human.† â€Å"Let go,† Phil muttered, pulling at James's wrist.He was breathing hard-he didn't want to hear this. â€Å"I was crazy about her. She gave me everythingmy mom didn't. Love, attention-she was never too busy. I called her Miss Emma.† â€Å"Let go.† â€Å"But my parents thought I was too attached to her.So they took me on a little vacation-and they didn'tlet me feed. Not for three days. By the time they brought me back, I was starving. Then they sent MissEmma up to put me to bed.† Phil had stopped fighting now. He stood with hishead bowed and turned to one side so he wouldn'thave to look at James. James threw his words at theaverted face. â€Å"I was only four. I couldn't stop myself. And the thing is, I wanted to. If you'd asked me who I'd rather have die, me or Miss Emma, I'd've said me. But when you're starving, you lose control. So I fed on her, and all the time I was crying and trying to stop. And when I finally could stop, I knew it wastoo late.† There was a pause. James suddenly realized that his fingers were locked in anagonizingcramp. He letgo of Phil's shirt slowly. Phil said nothing. â€Å"She was just lying there on the floor. I thought,wait, if I give her my own blood she'll be a vampire, and everything will be okay.† He wasn't yelling anymore. He wasn't even really speaking to Phillip, butstaring out into the dark parking lot. â€Å"So I cut myselfand let the blood run into her mouth. She swallowedsome of it before my parents came up and stoppedme. But not enough.† A longer pause-and James remembered why hewas telling the story. He looked at Phillip. â€Å"She died that night but not all the way. The twodifferent kinds of blood were fighting inside her. Soby morning she was walking around again-but shewasn't Miss Emma anymore. She drooled and her skin was gray and her eyes were flat like a corpse's.And when she started to-rot-my dad took her out to Inverness and buried her. He killed her first.† Bilerose in James's throat and he added almost in a whisper, â€Å"I hope he killed her first.† Phil slowly turned around to look at him. For thefirst time that evening, there was something otherthan horror and fear in his face. Something like pity, James thought. James took a deep breath. After thirteen years of silence he'd finally told the storyto Phillip North,of all people. But it was no good wondering aboutthe absurdity. He had a point to drive home. â€Å"So take my advice. If you don't convince Poppyto see me, make sure they don't do an autopsy onher. You don't want her walking around without herinternal organs. And have a wooden stake ready forthe time when you can't stand to look at heranymore.† The pity was gone from Phil's eyes. His mouth wasa hard, trembling line. â€Å"We won't let her turn into†¦ some kind of halfalive abomination,† he said. â€Å"Or a vampire, either. I'm sorry about what happened to your Miss Emma,but it doesn't change anything.† â€Å"Poppyshould be the one to decide-â€Å" But Phillip had reached his limit, and now he was simply shaking his head. â€Å"Just keep away from my sister,† he said. â€Å"That's all I want. If you do, I'll leaveyou alone. And if you don't-â€Å" â€Å"What?† â€Å"I'm going to tell everybody in El Camino what you are. I'm going to call the police and the mayorand I'm going to stand in the middle of the streetand yell it.† James felt his hands go icy cold. What Phil didn't realize was that he'd just made it James's duty to killhim. It wasn't just that any human who stumbled onNight World secrets had to die, but that one activelythreatening to tellabout the Night World had to die immediately, no questions asked, no mercy given. Suddenly James was so tired he couldn't seestraight. â€Å"Get out of here, Phil,† he said in a voice drainedof emotion and vitality both. â€Å"Now. And if you reallywant to protect Poppy, you won't tell anybody anything. Because they'll trace it back and find out thatPoppy knows the secrets, too. And then they'll killher-after bringing her in for questioning. It won'tbe fun.† â€Å"Who're ‘they'? Your parents?† â€Å"The Night People. We're all around you, Phil.Anybody you know could be one-including themayor. So keep your mouth shut.† Phillip looked at him through narrowed eyes. Thenhe turned and walked to the front of the store. James couldn't remember when he'd felt so empty. Everything he'd done had turned out wrong. Poppywas now in more kinds of danger than he couldcount. And Phillip North thought he was unnatural andevil. What Phil didn't know was that most of thetime James thought the same thing. Phillip got halfway home before he rememberedthat he'd dropped the bag with Poppy's cranberryjuice and wild cherry Popsicles. Poppy had hardly eaten in the last two days, and when she did get hungry, it was for something weird. No-somethingred,he realized as he paid for a second time at the 7-Eleven. He felt a sick lurch in his stomach. Everything she wanted lately was redand at least semiliquid. Did Poppy realize that herself? He studied her when he went into her bedroom togive her a Popsicle. Poppy spent most of the time inbed now. And she was so pale and still.. Her green eyes werethe only alive thing about her. They dominated herface, glittering with an almost savage awareness. Cliff and Phil's mother were talking about gettinground-the-clock nurses to be with her. â€Å"Don't like the Popsicle?† Phil asked, dragging achair to sit beside her bed. Poppy was eyeing the thing with distaste. She tooka tiny lick and grimaced. Phillip watched her. Another lick. Then she put the Popsicle into anempty plastic cup on her nightstand. â€Å"I don't know †¦ I just don't feel hungry,† she said, leaning backagainst the pillows. â€Å"Sorry you had to go out fornothing.† â€Å"No problem.† God, she looks sick, Phil thought.†Is there anything else I can do for you?† Eyes shut, Poppy shook her head. A very smallmotion. â€Å"You're a good brother,† she said distantly. She used to be so alive, Phil thought. Dad calledher Kilowatt or Eveready. She used to radiateenergy. Without in the least meaning to, he found himself saying, â€Å"I saw James Rasmussen today.† Poppy stiffened. Her hands on the bedspreadformed not fists, but claws. â€Å"He'd better keep awayfrom here!† There was something subtly wrong about her reaction. Something not-Poppy. Poppy could get fierce,sure, but Phil had never heard that animal tone inher voice before. A picture flashed through Phil's mind. A creaturefromNight of the Living Dead,walking even though its intestines were spilling out. A living corpse likeJames's Miss Emma. Was that really what would happen if Poppy diedright now? Was she that much changed already? â€Å"I'll scratch his eyes out if he comes around here,†Poppy said, her fingers working on the spread like acat kneading. â€Å"Poppy-he told me the truth about what hereally is.† Strangely, Poppy had no reaction. â€Å"He's scum,†she said. â€Å"He's a reptile.† Something about her voice made Phillip's fleshcreep. â€Å"And I told him you would never want to become something like that.† â€Å"I wouldn't,† Poppy said shortly. â€Å"Not if it meanthanging around withhimfor eternity. I don't want to see him ever again.† Phil stared at her for a long moment. Then heleaned back and shut his eyes, one thumb jammedagainst his temple where the ache was worst. Not just subtly wrong. He didn't want to believe it, but Poppy wasstrange.Irrational. And now thathe thought about it, she'd been getting stranger everyhour since James had been thrown out. So maybe she was in some eerie in-between state. Not a human and not a vampire. And not able tothink dearly. Just as James had said. Poppy should be the one to decide. There was something he had to ask her. â€Å"Poppy?† He waited until she looked at him, her green eyes large and unblinking. â€Å"When we talked,James said that you'd agreed to let him-change you.Before you got mad at him. Is that right?† Poppy's eyebrows lifted. â€Å"I'm mad at him,† sheconfirmed, as if this was the only part of the questionshe'd processed. â€Å"And you know why I like you?Because you've always hated him. Now we bothhate him.† Phil thought for a moment, then spoke carefully. â€Å"Okay. But when youweren'tmad at him, back then,did you want to turn into-what he is?† Suddenly a gleam of rationality showed in Poppy's eyes. â€Å"I just didn't want to die, â€Å"she said. â€Å"I was so scared-and I wanted to live. If the doctors could doanything for me, I'd try that. But they can't.† Shewas sitting up now, staring into space as if she saw something terrible there. â€Å"You don't know what itfeels like to know you're going to die,† shewhispered. Waves of chills washed over Phillip. No, he didn'tknow that, but he did know-he could suddenly picture vividly-what it was going to be like forhimafter Poppy died. How empty the world was going tobe without her. For a long time they both sat in silence. Then Poppy fell back onto the pillows again. Phillipcould see pastel blue smudges under her eyes, as ifthe conversation had exhausted her. â€Å"I don'tthinkitmatters,† she said in a faint but frighteningly cheerfulvoice. â€Å"I'm not going to die anyway. Doctors don't know everything.† So that's how she's dealing with it,Phillipthought.Total denial. He had all the information he needed, though. He had a clear view of the situation. And he knew whathe had to do now. â€Å"I'll leave so you can get some rest,† he said to Poppy, and patted her hand. It felt very cool andfragile, full of tiny bones like a bird's wing. â€Å"Seeyou later.† He slipped out of the house without telling anyone where he was going. Once on the road, he drovevery fast. It only took ten minutes to reach the apart ment building. He'd never been to James's apartment before. James answered the door with a cold, â€Å"What areyou doing here?† â€Å"Can I come in? I've got something to say.† James stood back expressionlessly to let him in. The â€Å"place was roomy and bare. There was a singlechairbeside a very cluttered table, an equally clut tered desk, and a square unbeautiful couch. Cardboard boxes full of books and CDs were stacked inthe corners. A door led to a spartan bedroom. â€Å"What do you want?† â€Å"First of all, I have to explain something. I knowyou can't help being what you are-but I can't helphow I feel about it, either. You can't change, andneither can I. I need you to understand that from the beginning.† James crossed his arms over his chest, wary anddefiant. â€Å"You can skip the lecture.† â€Å"I just need to make sure you understand, okay?†Ã¢â‚¬ What do youwant,Phil?† Phil swallowed. It took two or three tries before he could get the words out past the blockage of hispride. â€Å"I want you to help my sister.†